Favorite Music of 2020
THINGS I DIDN’T POST DURING THE PANDEMIC - 01
Back in the spring of 2020 Mesita was writing, recording, and releasing the music of the pandemic in realtime, but I didn’t post anything about it at the time because I wasn’t really posting things, and I feel bad about that.
I had a dream that I listened to this song on a different streaming platform and the guitar solos were missing from the track. I feverishly scoured the internet trying to find the original version with the guitar solos and figure out what was happening. Tabs kept closing on me and websites glitched into oblivion. I wasn’t sure if the streaming platform or record label had demanded their removal, or if she had somehow become ashamed of them and self-censored, or if it was the Mandela effect, or some other kind of weird conspiracy, but I was going to somehow get to the bottom of this cosmic scandal against musicianship and bring the lost guitar solos back to light.
The next day I had to listen to the song several times on different platforms just to be reassured that the guitar solos had not actually disappeared, but still remained on the track in their fulness.
This post will be updated throughout the year as I encounter new music. (Last Updated 2/16/2020. Created 2/15/2020.)
Exceeded my expectations, and I can’t remember the last time a new album from an artist I already liked has done that. There is a warmth here that I haven’t heard in any of his work up until now. This is the electro psychedelic yacht rock I’ve been prepared for my entire life without realizing, every single track an absolute adult contemporary jam.
Don’t know much about this guy but I came across a couple of his guest spots and singles, most notably “Still Sun” and “God’s Own Children,” last fall, and have been anticipating hearing more of his Afrobeat/Afropop/electronic/soul/hip hop/? music ever since. This EP collects those great singles along with some new tracks, all of it extremely solid.