Notes and Posts
It is currently 4 AM and I am awake for some reason, and I just heard a noise downstairs of unclear origin.
Maybe I shouldn’t have watched this with my 4 month old puppy around. Was that a mistake? Will she live deliciously now? Will she grow up and randomly kill us all one morning like that damn goat?
If I had a ‘Favorite Albums of 2019’ list I’d be adding Big Thief’s new album Two Hands to that list.
I can’t think of a band that seems more devoted to the work right now than Big Thief. This is their second release this year, and it seems they’ve been touring and recording almost nonstop for several years now.
I’ve decided that I’m just going to start sharing more of my demos, drafts, fragments, and improvisations, so they are out in the world before they become irrelevant, instead of languishing half-finished in my notebooks as I wait for some mythical moment when I will have endless time and energy to create the thorough, perfect thing.
I wanted to write a full essay that thoroughly explores my thoughts about this album, Mesita’s Twitter song project, and how it all is actually impacting my views on life, art, &c., but since I already have notebooks and drives and clouds half-filled half-empty with so many other such good intentions that I never follow through on, I’m just going to post this now, and state that I think that Mesita’s You Are Beautiful is pretty much one of the most honest pieces of art I have ever encountered.
I’m reading Weird Little Robots by Carolyn Crimi and Corinna Luyken to my kids right now, and so far it feels kind of like if Kate Dicamillo had collaborated with Stephen Spielberg on one of his 80s Amblin projects. In other words, I’m enjoying it. And my kids like it, too.